apparare: (replace)
b⃫e⃫n⃫ ⃫s⃫o⃫l⃫o⃫ KYLO REN ([personal profile] apparare) wrote 2016-01-31 08:05 pm (UTC)

( It's easy to think of the next step and the one after that as just extensions of what has transpired here, never looking too far beyond the immediate into the sun of what's to come further down the path. They are only two steps forward and seem so small and insignificant in their own immediacy. But that's the inherent problem with only looking two steps ahead and never further: the two steps become four, and then four become eight, and so on and so on until you are miles from where you started with no conceivable way to look back, only around you and ahead at a distant horizon that is blurred by the unknown. Kylo has made it a personal mission to never glance back at the path that has brought him to where he is now, to never retread old ground both because it was forbidden and because he knew it was stupid. In the last several months, he's betrayed that mission a number of times, and now faces the forward path of two steps becoming four becoming eight becoming infinite, no promised end in sight.

Where will he go? What will he do? It seems an impossibility to consider that far ahead now, with the trees overhead and the sharp tang of acid still on his tongue, the bones in his fingers beginning to ache where he gripped Rey tight enough to mark. He knows that when she says they can't go back there's more to it than just surface value, than just the echo of a ruined future on the steps of Skywalker's academy lost through the branches and thorn bushes, more than just the seared image of a Corellian smuggler touching calloused fingertips to his cheek before slipping away, but like the four and eight and sixteen steps that he will have to take to bring him, to bring them, to whatever the next landmark might be, it's all uncertain after this forest.

Whatever exists and remains between them, growing and changing and spanning galaxies and star systems, it leaves them staring in the same direction, as much as it leaves them staring at each other, underneath the canopy of Yavin IV's treetops. It's like a constant nudge in the back of his mind, a physical presence that would slip through his hands like fine silk, like sand, if he were to reach out and grab for it. Thoughts of the Order and Hux's military tactics fall away in the wake of it, the entirety of his perception making room for the notion that presents to him. Calm himself, refocus, as if those things are now easier to do than when he had initially settled himself on the floor across from her. )


It's quiet. ( It's the first thing that comes to his mind, removing his hand from the back of his neck and pushing his hair off of his forehead. It sticks up in strange cowlicks in some places and plasters to his skull in others. Kylo can't say with absolute honesty that this is the first time that he's experienced actual silence in his life, because it isn't silence, not with her in his mind as well, not to mention the two sides that have always pulled at him waiting in the shadows for their chance to surge. But there's no Snoke. Not even an echo. And that is silence. ) We were never here together for long stretches of time, but when we were, it was quiet.

( He remembers running and screaming through the courtyard - or maybe he doesn't; maybe it's one of those imagined memories to substitute the forgotten reality that was less idealistic and kind - through the forest. His mother's strong arms underneath him as knees and elbows twined around her when she picked him up. Solo's steady shoulders rising him heads above the crowd when all he could see were the backs of legs and holsters, taller even than Chewbacca, who slipped chocolate into his hand when his mother's back was turned. It wasn't silent then, it's never been silent, but it was better, as better as it is in this moment, and he knows where to go without having to even look up from his boots in the grass. Rey's elbow is suddenly under the tap of his palm and then gone as he draws his hand back and leads them through the underbrush, through miles of forest floor until the dirt turns to pebbles turns to sand.

Back at the beginning. )

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